Sergey Klychkov: Metaphysical Portraiture

Sergey Klychkov's works of art are both unconventional and significant, studious and unconstrained. Concentrating essentially on picture, Klychkov is particularly gifted at depicting the expressive subtle elements of the human face. While preferencing compelling artwork over delineation, his works of art all things considered recommend stories. This comes most to light when his work depicts childishly befuddled juxtapositions of marvels in fantastical scenes, inferring establishes in a profoundly created anecdotal history.

In The Moons (2015), Klychkov's utilization of oil paints loans his subject a folkloric perspective. Depicting a lunar rhapsody, two female nudes are situated on the tops of houses, while two more fly in air. A fifth female figure rides on a purple pony through in the focal point of the scene. The twisted spatial contortion of the figures' appendages, and additionally the houses, give the picture a dionysian vibe, while Klychkov's shading palette covers this vitality in a powder-colored toned peacefulness. While skirting on the illustrative, the watcher can just envision the backstory behind such a work. Taken in by the relatively littoral quiet of the work of art, the watcher may feel got up to speed in a similar insouciance with which the two ladies loll on a nightime rooftop.